Picasso, by george she’s got it! (New York MoMA at AGWA, Film Festival)

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I’ve never been to an Art Gallery Film Festival before but hey, if I can watch a film on a rooftop why not in a gallery foyer. This week I went to see the first in a series of evenings put on by the Friends of the Art Gallery WA. This one celebrated Picasso – Picasso and Braque Go To The Movies.

© The Ponder Room
© The Ponder Room

The night started with Jane Brook wines and Spanish inspired tapas, (think crumbed sardines), before we settled in to watch a performance from Nicola De La Rosa and her guitarist. 

Nicola is a dancer from Danza Viva Spanish Dance Company and with 20 years dancing behind her she’s a great example of how dancing can keep you in shape.

Next AGWA director, Dr Stefano Carboni, showed why he is an ideal gallery director as he enthused about seeing ‘art coming together with dance, and film making’. He explained that this is ‘the biggest project the art gallery has done with a single institution [New York’s Museum of Modern Art]’, and it has caused him both ‘delight and alarm as the idea got bigger.’
His passion for art oozed as he walked us through Picasso’s life and works. I was spellbound as his enthusiasm bought Picasso to life. Describing Picasso as a larger than life personality, a good marketer, a great seducer, an innovator who preferred to be his own person, rather than join a specific movement, and identified himself as an outcast.
© The Ponder Room

© The Ponder Room

Showing us images of each painting Dr Carboni used an infrared pointer to explain what each painting meant. When he pointed out the painter, the model and the alternative world in between them, in the famous ‘Painter and Model’, a light blub went off .. I got it .. I finally got it. You’d think the title would have given it away, but no. The same thing happened with ‘Night Fishing’ shown above as he explained the middle image fishing and the birds in the top left hand corner.

I’d never got into Cubist paintings. At best I’d blur my eyes, like you do for one of those magic pictures where you try to make out a dolphin or horse. Hearing that Picasso had intended some of his images to cause confusion and feelings of discomfort, was music to my ears. Finally I got it, and can now appreciate the works of this ‘outcast’.

© The Ponder Room

The film that followed was introduced by Martin Scorsese. Born at the same time as film, Picasso and Braque frequently attended the cinema. It chronicled how images first seen in early film found their way into Picasso’s paintings e.g. women fanning themselves. Or how the Cubism images may have been influenced by stilted film images.

As I left I pondered …

  1. Why do so many innovators find themselves living on the outskirts of ‘normal’ society and consider themselves outcasts. It is a prerequisite to making something different and important?
  2. It was interesting how some of the images in ‘Night Fishing’ reminded me of a modern day ‘outcast’ … Mambo.
  3. How it’s good to challenge yourself and broaden your world every now and again.
  4. Clearly the collection is in loving hands with Dr Carboni.
Future evenings are
August 27 Marcel Duchamp: A Definitive Biography
September 24 Louise Bourgeois: The Spider the Mistress and the Tangerine
November 12: Andy Warhol: Ten Lizes
For more information go to www.artfriends.com.au
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